10 Ways Artists Use Sketchbooks Creatively

daily practice, painting, Sketchbooks, workshops

Firstly here are some artists I have found particularly inspirational with regard to sketchbooks. Following this are some suggestions for you to ponder as you use your sketchbook.

Inspirational Artists and their Sketchbooks

Kurt Jackson is a British artist who has been using sketchbooks for decades. He uses them to capture the natural beauty of the British Isles, and his work often features nature-inspired elements. He believes that sketchbooks can be used to create works of art that are both beautiful and meaningful. Jackson has said that sketchbooks are a great way for him to document his travels and explore his creative ideas. Jackson’s sketchbooks are vital to the development and completion of his paintings. The pages of his sketchbooks reveal how the hastily executed images can help him to work out what he wants to achieve on canvas, or simply capture a spontaneous image when there is not enough time to paint or draw properly. Insights into his domestic and professional life − not necessarily revealed in his exhibited works − abound from his continual routine of making drawings, marks, notes, poems and scribbles.

Grayson Perry is an artist who has garnered worldwide renown for his unique artwork and his use of sketchbooks to create it. Perry’s sketchbooks are filled with creative drawings, sketches, and ideas that have become the basis for many of his works. Perry uses his sketchbooks to capture his creative process and provide an insight into his thought process. He has said that he finds the practice of sketching and sketchbooking to be incredibly helpful in developing his ideas. Perry’s sketchbooks are full of vibrant images and playful doodles that reflect his unique style and creative vision. Bringing together his favourites for the first time and showing some of the finished works that result from these initial drawings, one result is a rich, beautiful book ‘Sketchbooks’, in print, perfect for those who want to know more about the artist’s creative process.

Grayson Perry

Anthony Gormley is a British sculptor and installation artist who has gained worldwide recognition for his unique and thought-provoking works. Gormley often uses his sketchbooks to explore new techniques and new materials, and to develop his ideas for future sculptures. His tiny passport sized Muji sketchbooks are filled with drawings of his sculptures in progress, as well as detailed notes and diagrams. He also uses his sketchbooks to document his travels and his interactions with other artists. Through his sketchbooks, Gormley is able to capture his creative process and the evolution of his works. His sketchbooks provide an insight into his creative journey and his artistic vision. The long glass cabinets filled with these books on view at his exhibition at the Royal Academy in London in 2019 certainly inspired me. Some examples can be found here and here.

Maya Lin is an American artist and designer who is best known for her iconic Vietnam War Memorial in Washington DC. Lin is also an avid sketchbook artist, using her sketchbooks as a form of creative expression and to document her ideas. She often uses her sketchbooks to explore her own creative process and to work out the details of her artwork. Lin uses her sketchbooks to capture her creative journey and to explore her own creative potential. Her sketchbooks are filled with drawings, sketches, and notes that capture her creative process, as well as her travels and experiences. By using her sketchbooks to document her creative journey, Lin has created some of the most iconic works of our time. Some of her work is in her book ‘Boundaries’.

Frida Kahlo is a renowned Mexican artist known for her vibrant self-portraits and her unique style of painting. Kahlo’s art was deeply personal and often explored her own identity and her Mexican heritage. In addition to her painting, Kahlo was also a prolific user of sketchbooks, some of which are in print in The Diary of Frida Kahlo

Frida’s journal

Baljinder Kaur is an artist and illustrator based in Wolverhampton, UK. Her sketchbooks provide a unique insight into her creative process and her thoughts on art, life, and the everyday. Her sketchbooks are filled with drawings, sketches, and notes that capture her creative journey, travels and her interactions with the world around her notably through explorations of Sikhism. Kaur often uses her sketchbooks to explore new techniques and materials, and to develop her ideas for future book illustrations – take a look here, and here is her wonderful Instagram account – do look at her children’s books.

sketchbook images by Baljinder Kaur of gardens and waterfalls

How we can all benefit from a Sketchbook Practice

Sketchbooks are an essential tool for any artist, offering a convenient and portable workspace for creating, experimenting, and planning. Whether you’re a professional artist or a hobbyist, sketchbooks provide a great outlet for your creativity and help you explore a variety of techniques. Here are 10 different ways that artists use sketchbooks to their advantage:

  1. Drawing: Sketchbooks are an ideal platform for making quick sketches and getting your ideas down on paper. Many artists use sketchbooks to draw out their concepts, designs, and ideas before starting work on a larger piece.
  2. Painting: Just like drawing, sketchbooks allow artists to experiment with colour, composition, and other elements of painting. Most artists use sketchbooks to practice their painting techniques, or to make small paintings before tackling a larger project.
  3. Inspiration: Many artists use their sketchbooks as a source of inspiration, filling the pages with images, quotes, and other things that spark their creativity.
  4. Research: Researching new techniques and sources of inspiration is important for any artist. Sketchbooks provide a great way to collect images, ideas, and other research material in one place.
  5. Illustration: Artist often use sketchbooks to illustrate stories, create comic strips, or even design entire books.
  6. Collage: Sketchbooks can also be used as a canvas for creating interesting collages with a variety of materials.
  7. Journaling: Journaling is a great way to document your creative journey and track your progress. Sketchbooks make it easy to keep a record of your thoughts and ideas.
  8. Planning: Sketchbooks are a great place to plan out future projects. Artists can use sketchbooks to sketch out their ideas and plan out the steps they need to take to complete their projects.
  9. Brainstorming: Sketchbooks provide a great platform for brainstorming and coming up with new ideas.
  10. Reflection: Artists often use their sketchbooks as a place to reflect on past projects and take note of what worked and what didn’t. This helps them to grow as artists and become better at what they do.

From traditional drawing and painting to more experimental techniques, sketchbooks offer a great way for artists to explore their creativity. For any artist, having a sketchbook handy is essential. Using sketchbooks as a creative outlet is a great way for artists to express themselves and improve their artistic skills. They provide an easy and convenient way for artists to experiment with different techniques and materials, and to document their creative journey. With a sketchbook, artists can create unique works of art, record their ideas and explore their creative potential.


My own sketchbooks are part of a daily art practice

They are a repository for collected ephemera, a diary, a planning space and a portable studio for experiments, drawing practice, colour trials and lots of collage. I keep quite a lot of visual records now digitally, but nothing can beat the tactile experience of a nice fat and messy sketchbook! My sketchbook is my discipline and sometimes my obsession. I spend from 10 minutes to several hours a day most days in it.

Here’s a page from my cycling experience along the Llangollen canal in North Wales last week. I have been using the images to begin some larger paintings this week.

Viaducts and Aqueducts page
A large painting as a work in progress February 2023 in the studio – one of a series

I’m giving a talk about Sketchbook use, mine and others, on 7th September 2023 in Swindon near Wombourne, Staffordshire UK, in the afternoon, for Wolverhampton Creative Embroiderers. If you are interested do contact me. This will be followed by a workshop the following week.


Inspiration for you

This Library Has 46,681 SKETCHBOOKS!

This project, housed in Brooklyn, New York and founded in 2006, has now ended but I have seen this and also participated in it. You can find about it here. It’s also reproduced in its entirety digitally. What a resource!


And finally a workshop for you for free?

My date is March 14th 2023 from 9-12am, where we will combine fun self portraits, positivity, relaxation and letting go of what no longer serves us well. The venue is Wolverhampton Art Gallery. Please email rah-tr.fundraisingteam@nhs.net to book – not me!

Autumn Preparations for a new kind of Winter

Art, daily practice, Sketchbooks, workshops

This Autumn, more than ever, is a time to gather resources for what seems a more hunkered down hibernation than ever before. Covid-19 means we will all need to protect each other and restrict our movements out of the home.


My resources include:

Restarting a particular art practice
Investing in Pranayama as a daily nutrient
Eating well
Daily exercising. Meditation. Yoga. Taking in only healthy things wherever possible, particularly with regard to through my eyeballs – this too counts as nutrition.
Caring for my garden …. singing a lot!

I would be interested to know what are your preparations for this ultra-isolated winter?

My new daily practice will be returning to Intuitive Art making. I will write a post shortly about this soon but it is based on deep meditation and opening to creative prompts which feel as though they come from a place within which connects to the connectivity of us all without.

Here are a few recent examples:

Eventually these may translate into larger paintings but for now I will work smallish for convenience. It feels good to be working back this way again and my method will contribute towards the PhD I’m working on.


Out and about

I am always working in sketchbooks though – it doesn’t matter what it is really I try to draw every day – sometimes waiting in the car, for an appointment or sometimes deliberately setting out to sketch. All of it contributes in some way to the recurring theme that is ‘fear of getting started’ – most people experience it!

Last week I was lucky enough to spend some time in Wales and enjoyed drawing in harbours, hills and beautiful beaches. Sometimes the weather was quite moody – always good for atmosphere and Wales specialises in it!!


Plans

As this constrained winter approaches I am thinking about running my Sketchbook and Art Club online – let me know if you’d like to come. It used to be in the studio but restrictions will not allow for that to happen easily so I am working my head around adapting. We can share what we have all been making and I can lead some fun exercises!

Maybe wine would help????

Back soon – I am going to try to keep this blog more regualar so sign up below if you would like to see my journey and develop yours perhaps too.

Autumn Preparations for a new kind of Winter – blog post.

Related posts:

Staying In is the new Going Out

Art, painting, PhD, Sketchbooks

So I think it is week 7 of Lockdown – although truly, after Boris’ unclear and blurred message to the nation last night it is hard to say if it is still to be classed as such. You are supposed to go to work if you can. Well I think it is very premature myself. The traffic hum is more this morning – a big increase – those felt impelled to go to the workplace out of need or pressure from employers

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The world laughs at the UK, at our incompetence, and the government attempts to PR itself into a what is a self congratulatory flag-waving mess.

Anyway – I have found it hard to create or find meaning in creativity. Maybe it iscreeping in more now. I have no income but it seems wrong to try to create art to sell when there is so much loss and sacrifice around. It seems trite.

I have more recently gone back to making art to think instead. Occupying the hands. Taking the chatter away by doing and creating space for more important questions. Mostly my sketchbooks are the place for that. My thinking spaces contained within a holding place for a doing thing.

I have a couple of small paintings on the go, a large piece of creative stitching and the increasing volume of sketchbook work.

I wonder how it is for everyone else who makes art?

how making looks sometimes – collage to think

“Be The Change – Fear Not This Liminal Space”
Collage made to think and participate in art challenge at University of Wolverhampton
“Be The Change, Fear Not This Liminal Space”
Bird In A Window 1 -work in progress – oil on canvas 12″x 12″


Bird In Window 2 Work in progress – oil on canvas 12 x 12″

Otherwise I do big physical things in the garden, small detailed things in the garden, walk and practice yoga. I try to shop for others, more needy once a week and participate in some family cooking and attempts at positive thinking.

Self Portrait – Indian Ink, watercolour, gouache and stuff to hand – May 2020 – bike emerging from ear!

My preference would have been for the government to look at making it safe to cycle here – semi closing roads and allowing us to commute, exercise and shop safely by bike. Wishful thinking.


Personal Challenge Result

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Sometimes it’s a good idea to have a personal obligation to yourself to show up to a challenge every day. As a self employed artist who is selling internationally it’s easy to stay within the style your clients see as you. 
It is important though to continue to develop and exercise the creative muscle out of the normal zone. Hence today I have finished a personal challenge to paint a small landscape every day for thirty days. I set the challenge publicly so that I was accountable. Some days it was uncomfortable to show up to the easel. Some days I had to paint at 5am to get it done. But I did it. 

Today is the last day. I can truly say I have developed over the short time and experimented in ways I may not normally when working on commissions. 
….and funnily enough I have sold three of them completely unintentionally. I wouldn’t have guessed that would happen. 
Here’s to setting slightly uncomfortable goals!

“Stiper Stones, Shropshire- at dawn” 
11″x6.5″ acrylic paint, Quink ink, Noodler’s Ink, Indian Ink

Why You Need To Keep Coming Back My Website!

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Well January has melted into March somehow and this is my first post of the year – sorry it is so late. I thought I would put down some of my thoughts and plans for the year here anyway.

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Night shot after Day 1 of a whole weekend painting retreat in the studio

My most exciting news is the move into a bigger, lighter and airier studio than I was in before. It’s in the same building, but has a beautiful Northern light – the best for artists, with no direct sunlight but fabulous light for working in, with three large Victorian windows and white walls and ceiling. More windows into the gallery provide extra light and a beautiful wood floor makes for a gorgeous atmosphere. With this space I have plans!

I want to create a mini arts centre within an Arts Centre. A place for healthy arts practices and workshops as well as a place for me to paint and illustrate the books I am commissioned for this year.

The venue is Newhampton Arts Centre, Wolverhampton.

wayne-attwood

Wayne Attwood RBSA teaching oils

If you look on the Workshops page of this site you will see more details  – keep checking because new and exciting things are being added all the time. We have a good on site cafe and are only 10 minutes walk from Wolverhampton railway station – right in the middle of the UK.

Here’s a quick summary of things happening soon:

March 2nd / April 6th / May 10th  Soundbath for Relaxation with Liz Pritchard 7-8.15

March 28th Find your Creative Mojo with Clare Wassermann – creative sketchbook addiction

Celebrate the Seasons – Creative Art and Stories with Ana Lines and Clare Wassermann
Spring – Sunday March 26th                           day worskshops
Summer – Sunday May 7th
Autumn – Sunday September 3rd
Winter – Sunday December 3rd

March 23rd Oil painting with Wayne Attwood – FULL

May 5th Mandala Yoga with Catherine Spruce 7-9pm

May 14th – Painting A Theory – Carl Jung – Art as Therapy with Hannah Boyd and Clare Wassermann 10.30 – 4

May 16th Sacred Art – Movement and painting with Clare Wassermann and Sarah Vernon

If there are any workshops you would like to see here please feel free to suggest them – let’s see if we can make them happen.

I am very pleased to be collaborating with story teller Ana Lines this year and also developing ideas with Anne Marie Lagram. – a live art event inspired by Medgel- the witch- resulting in a collaboration of challenging visual imagery, story telling and audience participation!

I am looking forward to sharing an exhibition with feltmaker and painter Kanj Nicholas and being part of an exhibition to commemorate 70 years since Partition in India and Pakistan in Wolverhampton in August organised by Komlaish Achall.

I have a few trips to Saudi Arabia this year (it’s complicated!) and I am looking forward to sketching and getting to know the country better – maybe some art to do with issues around that country will emerge.

saudi-palm

Peace Doves Saudi – hope

 

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Architecture and Palms

hoopoe-2

Hopooe and the City

 

 

New things are emerging every week so keep checking back – especially on the Workshops page.

I am also on Instagram as Clare_Wassermann_Art
Facebook – Clare Wassermann Art and Stitch
Twitter – Clare Wassermann