10 Ways Artists Use Sketchbooks Creatively

daily practice, painting, Sketchbooks, workshops

Firstly here are some artists I have found particularly inspirational with regard to sketchbooks. Following this are some suggestions for you to ponder as you use your sketchbook.

Inspirational Artists and their Sketchbooks

Kurt Jackson is a British artist who has been using sketchbooks for decades. He uses them to capture the natural beauty of the British Isles, and his work often features nature-inspired elements. He believes that sketchbooks can be used to create works of art that are both beautiful and meaningful. Jackson has said that sketchbooks are a great way for him to document his travels and explore his creative ideas. Jackson’s sketchbooks are vital to the development and completion of his paintings. The pages of his sketchbooks reveal how the hastily executed images can help him to work out what he wants to achieve on canvas, or simply capture a spontaneous image when there is not enough time to paint or draw properly. Insights into his domestic and professional life − not necessarily revealed in his exhibited works − abound from his continual routine of making drawings, marks, notes, poems and scribbles.

Grayson Perry is an artist who has garnered worldwide renown for his unique artwork and his use of sketchbooks to create it. Perry’s sketchbooks are filled with creative drawings, sketches, and ideas that have become the basis for many of his works. Perry uses his sketchbooks to capture his creative process and provide an insight into his thought process. He has said that he finds the practice of sketching and sketchbooking to be incredibly helpful in developing his ideas. Perry’s sketchbooks are full of vibrant images and playful doodles that reflect his unique style and creative vision. Bringing together his favourites for the first time and showing some of the finished works that result from these initial drawings, one result is a rich, beautiful book ‘Sketchbooks’, in print, perfect for those who want to know more about the artist’s creative process.

Grayson Perry

Anthony Gormley is a British sculptor and installation artist who has gained worldwide recognition for his unique and thought-provoking works. Gormley often uses his sketchbooks to explore new techniques and new materials, and to develop his ideas for future sculptures. His tiny passport sized Muji sketchbooks are filled with drawings of his sculptures in progress, as well as detailed notes and diagrams. He also uses his sketchbooks to document his travels and his interactions with other artists. Through his sketchbooks, Gormley is able to capture his creative process and the evolution of his works. His sketchbooks provide an insight into his creative journey and his artistic vision. The long glass cabinets filled with these books on view at his exhibition at the Royal Academy in London in 2019 certainly inspired me. Some examples can be found here and here.

Maya Lin is an American artist and designer who is best known for her iconic Vietnam War Memorial in Washington DC. Lin is also an avid sketchbook artist, using her sketchbooks as a form of creative expression and to document her ideas. She often uses her sketchbooks to explore her own creative process and to work out the details of her artwork. Lin uses her sketchbooks to capture her creative journey and to explore her own creative potential. Her sketchbooks are filled with drawings, sketches, and notes that capture her creative process, as well as her travels and experiences. By using her sketchbooks to document her creative journey, Lin has created some of the most iconic works of our time. Some of her work is in her book ‘Boundaries’.

Frida Kahlo is a renowned Mexican artist known for her vibrant self-portraits and her unique style of painting. Kahlo’s art was deeply personal and often explored her own identity and her Mexican heritage. In addition to her painting, Kahlo was also a prolific user of sketchbooks, some of which are in print in The Diary of Frida Kahlo

Frida’s journal

Baljinder Kaur is an artist and illustrator based in Wolverhampton, UK. Her sketchbooks provide a unique insight into her creative process and her thoughts on art, life, and the everyday. Her sketchbooks are filled with drawings, sketches, and notes that capture her creative journey, travels and her interactions with the world around her notably through explorations of Sikhism. Kaur often uses her sketchbooks to explore new techniques and materials, and to develop her ideas for future book illustrations – take a look here, and here is her wonderful Instagram account – do look at her children’s books.

sketchbook images by Baljinder Kaur of gardens and waterfalls

How we can all benefit from a Sketchbook Practice

Sketchbooks are an essential tool for any artist, offering a convenient and portable workspace for creating, experimenting, and planning. Whether you’re a professional artist or a hobbyist, sketchbooks provide a great outlet for your creativity and help you explore a variety of techniques. Here are 10 different ways that artists use sketchbooks to their advantage:

  1. Drawing: Sketchbooks are an ideal platform for making quick sketches and getting your ideas down on paper. Many artists use sketchbooks to draw out their concepts, designs, and ideas before starting work on a larger piece.
  2. Painting: Just like drawing, sketchbooks allow artists to experiment with colour, composition, and other elements of painting. Most artists use sketchbooks to practice their painting techniques, or to make small paintings before tackling a larger project.
  3. Inspiration: Many artists use their sketchbooks as a source of inspiration, filling the pages with images, quotes, and other things that spark their creativity.
  4. Research: Researching new techniques and sources of inspiration is important for any artist. Sketchbooks provide a great way to collect images, ideas, and other research material in one place.
  5. Illustration: Artist often use sketchbooks to illustrate stories, create comic strips, or even design entire books.
  6. Collage: Sketchbooks can also be used as a canvas for creating interesting collages with a variety of materials.
  7. Journaling: Journaling is a great way to document your creative journey and track your progress. Sketchbooks make it easy to keep a record of your thoughts and ideas.
  8. Planning: Sketchbooks are a great place to plan out future projects. Artists can use sketchbooks to sketch out their ideas and plan out the steps they need to take to complete their projects.
  9. Brainstorming: Sketchbooks provide a great platform for brainstorming and coming up with new ideas.
  10. Reflection: Artists often use their sketchbooks as a place to reflect on past projects and take note of what worked and what didn’t. This helps them to grow as artists and become better at what they do.

From traditional drawing and painting to more experimental techniques, sketchbooks offer a great way for artists to explore their creativity. For any artist, having a sketchbook handy is essential. Using sketchbooks as a creative outlet is a great way for artists to express themselves and improve their artistic skills. They provide an easy and convenient way for artists to experiment with different techniques and materials, and to document their creative journey. With a sketchbook, artists can create unique works of art, record their ideas and explore their creative potential.


My own sketchbooks are part of a daily art practice

They are a repository for collected ephemera, a diary, a planning space and a portable studio for experiments, drawing practice, colour trials and lots of collage. I keep quite a lot of visual records now digitally, but nothing can beat the tactile experience of a nice fat and messy sketchbook! My sketchbook is my discipline and sometimes my obsession. I spend from 10 minutes to several hours a day most days in it.

Here’s a page from my cycling experience along the Llangollen canal in North Wales last week. I have been using the images to begin some larger paintings this week.

Viaducts and Aqueducts page
A large painting as a work in progress February 2023 in the studio – one of a series

I’m giving a talk about Sketchbook use, mine and others, on 7th September 2023 in Swindon near Wombourne, Staffordshire UK, in the afternoon, for Wolverhampton Creative Embroiderers. If you are interested do contact me. This will be followed by a workshop the following week.


Inspiration for you

This Library Has 46,681 SKETCHBOOKS!

This project, housed in Brooklyn, New York and founded in 2006, has now ended but I have seen this and also participated in it. You can find about it here. It’s also reproduced in its entirety digitally. What a resource!


And finally a workshop for you for free?

My date is March 14th 2023 from 9-12am, where we will combine fun self portraits, positivity, relaxation and letting go of what no longer serves us well. The venue is Wolverhampton Art Gallery. Please email rah-tr.fundraisingteam@nhs.net to book – not me!

Imaginal Thinking

Art, daily practice, meditation, painting, philosophy, Sketchbooks

I’ve been pondering recently about imaginal thinking and how it can shape change. It involves, for me, more often than not, taking two or more seemingly unrelated images, putting them together and creating meaning from them. An act of ‘wondering and wandering’.

I work a lot this way in my notebooks / sketchbooks. From the semi-intuitively produced image comes larger thinking and access to parts of my consciousness that may be dormant – the subconscious or unconscious and makes it iterative and conscious.

Practice with materials leads to and becomes part of the exploration. Wider aesthetic thinking occurs (something we in the West have largely lost) which leads to thought and words. Afterwards I might write or just ponder as I garden or cook or do the daily tasks. Sometimes there is a notion of an imprinting in the body (embodiment), the book is closed and other life is resumed. Closure….for now.

Here are a few examples from the past week:

and here is a way of going:

Deconstruct / re-construct. Something we need to think about. Transformative thinking comes in here. When there is space after the deconstruction.

You can read a little more about the story of the images on my Instagram here.

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Bird Love

Art

Anyone who knows me will not be surprised when I say how much I like birds. They appear in many of my paintings.

One of my favourite, apart from the dove, is the hoopoe. He is sometimes to be seen in southern areas of the UK but they proliferate here in Saudi Arabia. Very shy, they run between the trees scuttling from view if they sense you.

However if you have patience and sit still they come quite close.

Today’s collage is mostly water colour with just a little decorative collage because I had plenty of time. Is he sitting on a giant patterned egg? I wonder what bird of paradise would hatch from this?

Meanwhile I’m enjoying the shade of palm trees and the air con in the 43 degree heat.

If you would like to join in please tag #collageaday2018 on Instagram or Facebook. I can’t comment (on Insta from here) but I can see your posts. I can comment on Facebook. Restrictions!

Ongoing jouneys with sketchbook can be seen at my other BLOG here: www.clarewassermannartjournal.wordpress.com

Have a great day!

2016 – A good year for art

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If you don’t know me already this is a little about me and the year that has nearly finished. It’s been a whirlwind, very busy but very happy-making!!

clare5-steve-pool-2016

Clare Wassermann lives and works in Wolverhampton. Originally gaining an honours degree in Music with Education, then teaching and playing saxophone and clarinet in London and Nottingham, she re-qualified as a Registered Homeopath and returned to Wolverhampton in 2001. For fourteen years she happily combined teaching and homeopathy but then her artwork suddenly began to take off.

“I have always enjoyed painting, drawing and stitching since childhood, encouraged by my father who was a long-standing member of Wolverhampton Society of Artists, but suddenly my work really began to sell in 2014”

She had started to paint larger paintings which were very vibrant and uplifting and buyers were inspired by their optimistic and health giving properties. “I love the idea of layer upon layer in paint, memories and experience. Some paintings have ten or even twenty layers built up and most are in response to my meditation and yoga practice. All are a pure celebration of my external and internal landscape. Juxtaposition of edges and colour combinations excite me.

I use recurring symbols, meaningful to me and sometimes words in my layers, building up and letting go of images as I work.

Sometimes I work in fabric and stitch for even more texture.

I use my intuition, as far as possible, to take me on the journey towards a final balance point. This art practice becomes a metaphor for life”.

 

In January 2016, after a successful exhibition, she took the plunge and rented a studio at Newhampton Arts Centre, Wolverhampton and since then things have moved apace.

An American Author, Kathy Walsh, admired her work on Instagram and asked her if she would illustrate her next children’s book. “I looked at her previous books on Amazon and saw that she was writing with an aim to promote peace and mindfulness for children”, Clare commented, “so I decided to accept this opportunity and embrace a new genre for me”.

The first two books, “Today An Elephant I Will Be” and “My Mindfulness ABC” are now available and I’m working on the third which will be out in the early part of next year. Kathy and she are planning some events in the U.S.A. next year.

Book

Another unexpected development has been teaching art workshops in the studio space. I work with small groups to open up creative ideas and build confidence in expression in paint and mixed media. Artists who are experiencing block and adults who feel that they would like to paint creatively but lack confidence have all enjoyed these unusual and enjoyable days.

horse-on-the-moor

Details on the Workshop page

building-a-community

Some items are in my SHOP (always being updated)- otherwise contact me

A big THANK YOU to all those who have supported me and encouraged along the way. You know who you are, and I couldn’t have kept it up without you.

Gentle Rain2 Clare Wassermann 30 inches square photo Neil Roberts

“Gentle Rain” Acrylic on box canvas 30″ x 30″

 

For more information please visit www.clarewassermannart.com
Facebook Clare Wassermann Art and Stitch
Instagram Clare­_Wassermann_Art

 

 

 

Summer Updates

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I certainly am enjoying the longer days of Summer despite the enormous amount of rain that we have experienced here in the UK. But the upside of that is that everything is very lush and green around where I live. The garden is romping away and the weeds are growing, as usual twice as fast as everything else!

It’s been a busy two months. My ‘creativity in paint workshops’ have taken off – all the sketchbook, 12″ canvas and 30″ canvas ones have filled up here in Wolverhampton, so I am shortly going to release some more dates on the Workshops page of this website. However I am taking to the road in October and doing some teaching in Cornwall (October 26th in Mylor Bridge, near Truro and October 27th at Threemilestone, also near Truro).
It’s all about expressing yourself in paint in sketchbooks and on paper – beginners and more experienced are very welcome.

Connect and Unite

Connect and Unite – Sketchbook 2016

Exhibitions

Crazy mad summer time – the season for art to come out of the closet it seems. I am lucky to be selected for exhibition currently in Derby Museum and Art Gallery, Wolverhampton Art Gallery, Asylum Gallery Wolverhampton and I’ve just been astounded to find myself in the Macynlleth Open at MOMA Wales from July 9th – September 1st with a small oil painting entitled ” At My Side My Cradled Infant Slumbers Peacefully” taken from a line from a poem by Samuel Taylor Coleridge. A great honour to be part of this.

And In My Arms My Infant Gently Slumbers_oil on board_12x8_inches_scan

“At My Side My Cradled Infant Slumbers Peacefully” Oil on Canvas 8″x 12″

Gentle Rain2 Clare Wassermann 30 inches square photo Neil Roberts

“Gentle Rain” Acrylic on box canvas 30″ x 30″

Pintar Rapido

We had our own Pintar Rapido here in Wolverhampton last weekend which was a great community event. We called it Paint The Day – 70 members of the public got their paper and canvases stamped and rushed into the very changeable weather to paint scenes in the local area of Whitmore Reans in Inner City Wolverhampton. We returned our work by 5pm and overnight some elves hung the exhibition.

It’s still up until next Saturday (July 9th) at Newhampton Arts Centre for the public to see at midday for two hours during the week and all day Saturday until the closing in the evening. All work is for sale and there is an auction on Saturday of remaining pieces. Proceeds go to keep this lovely Arts Centre open as the funding has all been removed by the Council due to continuing austerity measures. Do go and support everyone if you can – there’s some lovely children’s work.

painting in West Park conservatory

partially worked painting in West Park Conservatory

Finally  to mention I am part of a lovely exhibition at Tettenhall Wood Institute which is of a wonderfully diverse and contemporary spread of work by Wolverhampton Embroiderers’ Guild. Open 10-4 July 9th and 10th

 

The Inexpressible

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Sketchbook work

One of the beauties of keeping a sketchbook for painting in, I find, is not necessarily making notes and thumbnails for future work, but simply to feel an emotion into. This is what I try to teach on some of  my workshops.

The sketchbook is a freeing and liberating place sometimes, without the importance of a full sized painting.

This week I attended a funeral for a colleague who’s life was cut short before she was even 40 years old. There are no words for this. It was useful for me to express the inexpressible. Both art and music do this for me.

The Inexpressible

A Pleasure Trip

Yesterday I went to Saltaire, Yorkshire to visit the open houses there which have displays and sales of art in them from artists of the area. The houses in themselves are treat to visit, built as they were originally as dwellings for workers in the mill belonging to Titus Salt. There was some excellent art to be seen – it’s all open again today if you can manage the trip.

Salt’s Mill itself is now an amazing building with galleries, shops and a huge amount of work by David Hockney. It was fabulous to stand so close to paintings such as this which are all in a shop which is filled with art books and materials – heaven!

Hockney

This is Salt’s Mill – huge! What’s more it has the most glorious kitchenware shop!

salts mill

Workshops

See the workshops page above – I have opened a couple of new dates for Creative Sketchbooks workshops – click here for information as to what’s available – they are proving very popular.

Exhibitions

Two coming up soon

  1. Wolverhampton Open Studios – my studio at Newhampton Arts Centre, Dunkley St., Wolverhampton WV1 4AN is open on June 25-26th 2016 from 10am – 3pm.
    Lots of other houses and studios are open that weekend.
  2. Bantock House and Park, Wolverhampton July 23rd – Sept 4th 2016 with a theme of “Birds”. Children’s activities and exhibition in the gallery. Street Art also by Steve Edwards.