Nomadic Welsh Travels

Art, art for wellbeing, nomad life, Sketchbooks

‘Hiraeth’, biorhythmic health and drawing

Every time I take my van over the border from England back into Wales I feel my nervous system relax, my heart gladden and the sun come out in my soul (even if it’s actually raining – common in this green and verdant land). It was only last year that I began to discover I am one of many who experience the same joy, the same longing to be there and that there was a word for this very state of being – that word is hiraeth in Welsh, conveying a similar but nuanced meaning, to the word saudade in Portuguese.

Derived from “hir”, meaning long, and “aeth”, meaning sorrow or grief, the word hiraeth offers a literal translation that only scratches the surface of its layered significance. “Hiraeth is one of those words that defies translation because of its deep cultural connotations,” says Sioned Davies, professor emeritus and former chair of the School of Welsh at Cardiff University.

Often tied to profound emotional pain, hiraeth surfaces in some of the oldest Welsh texts and has lingered as a poetic burden through the centuries. In the early Welsh verses known as Hen Penillion, an anonymous poet laments the torment of this “cruel hiraeth” that breaks his heart and disturbs his sleep. Steeped in sorrow, the term is frequently understood as a mourning for lost homelands, languages, or traditions—yet it may also hold the promise of their rediscovery and renewal.

It could be because my ancestors were Welsh (I am a Williams through my family line) and I am only an hour from the border; working class, mining stock and resourceful, they moved to England for work in the latter part of the Industrial Revolution. What draws me is the countryside and the coast, the quiet, the warm welcome I always experience, singing in choirs and the communities of resourceful inhabitants. Music, birds, long views and far horizons pull me from my urbanity.

Last year I parked next to a woman who recommended me a book called “The Long Field: WALES, AND THE PRESENCE OF ABSENCE – A MEMOIR’ by Pamela Petro (2023). I enjoyed it very much – another instance of hiraeth nudging up against me. The author says:

‘The Long Field burrows deep into the Welsh countryside to tell how this small country became a big part of my life as an American writer. The book’s format twines my story around that of Wales by viewing both through the lens of hiraeth, a Welsh word that’s famously hard to translate (one literal meaning of hiraeth is ‘long field’). It is also the name for the bone-deep longing for something or someone – a home, culture, language, or even a younger self. The Long Fieldbraids memoir with the essential hiraeth stories of Wales, and in doing so creates a radical new vision of place and belonging’.

Here I am on top of the world physically and emotionally. 360 degree views offering sunrise and sunset, clean air and a home amongst the skylarks. I am so high in fact that the skylarks run around me on the grass before their gradual ascent and transformation into ‘scribbling larks’ beyond where I can see them.

sunset in the side window

I go to sleep when it gets dark and get up just before dawn, I eat when I am hungry and sit and stare at the long view. Biorhythms work nicely. With enough drinking water (no facilities) I spent 5 days treading lightly.

In between the darknesses I walk and draw, practice the ukulele, sit and knit a bit or hum to myself in a Pooh Bear fashion. I write things down which seem important at the time and concentrate on presence. I ponder hiraeth once once more. I draw again.

This last trip I restricted myself to drawing in a small A6 book – an exercise in trying to capture this ‘b i g n e s s’ on a small page. It was somewhat illustrative to begin with and then became more abstract I think. A bit like my mind as it loosened over the days.

A friend, Susie, choir leader and good egg walker and chatterer joined me for three nights to appreciate the vastness and beauty. We shared food and did a lot of bonhomie!

It was cold and very windy but bright and rarified.

We love our houses on wheels!

Here is my art kit for this trip. Small, less choices, easier to dive in, less to blow away off the side of a mountain! A few gouache paints, some coloured pencils and water brushes with a tiny A6 tear off palette by Holbein (Japan). 

My next paintings just moved into vast yellow skies – I needed no form as I became more formless myself, merging into the landscape. I can show those another time; hiraeth is hard to paint.

At my next park up I was on a campsite (to shower and charge up gadgets) where a couple arrived to pitch up next to me. I was a little grumpy having had the vastness of mid Wales hills to myself – but after a friendly moment of verbal interchange I discover that this woman was writing a PhD about hiraeth. !!!!! It seemed such an extraordinary coincidence – we could compare pHd struggles AND compare our experiences of a word which most people haven’t heard of but many of whom may experience – especially in relationship to Wales.

So this is where my heart and soul lie, bounded by hiraeth.

.

A bientôt and hwre ‘wan!

Bye for now!!

You can read all my writings on Substack here

Enchantment and (Re-)Wilding

Art, Contemporary Women Artists, enchantment, Outdoor life, rewilding
Having turned part of the garden over to wildflowers and seen significant increases in insect and bird population I am looking at the connections between these two concepts…

Exploring Enchantment: A Journey of Wonder and Connection

Enchantment is an elusive yet profoundly impactful experience that invites us to see the world through a lens of wonder and interconnectedness. 

Enchantment in Art and Life

In my art manifesto, I touch upon the concept of enchantment as a means to generate new and helpful myths for the future, working towards the re-enchantment of human beings and human actions⁠ suggesting that art can be a powerful tool to reconnect us with a sense of wonder and meaning.

recent mono-print from a small project observing crows, ravens and corvids and investigating the mythology of them – this is Branwen the white raven from Wales – 2024

Literary Perspectives on Enchantment

Katherine May, in her book “Enchantment: Reawakening Wonder in an Exhausted Age” describes it as a small yet magnified wonder, a sense of fascination caught in the web of fable and memory. She emphasizes that enchantment relies on small doses of meaning and fascination, found only when we actively look for them. It is the ability to sense magic in the everyday, to channel it through our minds and bodies, and to be sustained by it⁠. She says:

“I don’t have words to describe what it meant to play with my moon shadow. Instead, I feel it in my body, a kind of physical wonder at what is there waiting for me when I stop to notice.” p.221

This perspective highlights the subtle and often overlooked aspects of enchantment that enrich our daily lives. My personal word for 2024 to hold in mind is “NOTICE” – it’s a helpful one – it invites slowing down, deep looking, investigating effects and affects on the self and sometimes recording in images or words.

Raven monoprint – the legend goes that the crow pulled the light from the heavens to give to our world – 2024

Enchantment as a Way of Being

Sharon Blackie, writing on Substack, offers a definition of enchantment that is grounded in a vivid sense of belonging and participation in life. She describes the enchanted life as one that embraces wonder, engages the creative imagination, and is deeply embodied and ecological. It is about respecting the wisdom of the natural world, thriving on poetry, song, and dance, and living slowly and ethically. Enchantment, for Blackie, is about falling in love with the world anew and making a conscious choice to nourish our bruised psyches⁠. Her approach underscores the holistic and integrative nature of enchantment as a way to live fully and meaningfully.

A small crow painting completed recently – integrating crows into the environment as our ecosystem – 2024

Personal Reflections

In my own practice, I find that the deliberate pursuit of attention, ritual, or reflection does not draw in anything external but rather rearranges what I already know to find new insights. This symbolic thought process offers a repository of understanding that can be triggered by everyday experiences, creating a physical sense of wonder when I stop to notice⁠. This personal reflection aligns with the broader themes of enchantment as a means of self-discovery and connection as well as cultivating a sense of awe as I described here in a piece about drawing outside and cultivating a sense of awe.

Recent watercolour made outside recording a bird singing in a tree in Loulé, Portugal – 2024

Are you ready to embrace the multifaceted experience of enchantment that invites us to engage with the world in deeper and more meaningful ways? Whether through art, literature, or personal reflection, it offers a path to reconnect with the wonder and magic inherent in our lives and that creates meaning for us – something we all need and something we can cultivate in noticing the weeds in the cracks in the pavement and our own plants in window-boxes, balconies and gardens or in walking in our neighbourhood or out in the wider countryside if we have access to that.

Watercolour observational sketch whilst listening to the birds in our local park – 2024

Wilding and Re-wilding (a film)

I am currently researching the concept of Wilding and Re-wilding and as part of this I am looking forward to seeing the film ‘Wilding’ next week which is on at smaller cinemas currently. (Local friends I am going to the Orbit in Wellington, Telford on Friday July at 2.30 – join me!!). Wilding tells the story of a young couple that bets on nature for the future of their failing, four-hundred-year-old estate. The young couple battles entrenched tradition, and dares to place the fate of their farm in the hands of nature. Ripping down the fences, they set the land back to the wild and entrust its recovery to a motley mix of animals both tame and wild. It is the beginning of a grand experiment that will become one of the most significant rewilding experiments in Europe.

In UK and Irish cinemas from June 14. Book tickets on www.WildingMovie.com.

To me this film will probably fit well with the notion of Enchantment – I will think about what the connection sparks.

Here’s a trailer:

I would love to know your views on wielding, re-wilding and the cultivation of Enchantment as re-enchantment!

That’s it from me – I’m off to draw in the garden! – a bientôt !!

love

Clare

Book Ref: May, Katherine (2024), Enchantment: Reawakening Wonder in an Exhausted Age, London: Faber & Faber

walking and drawing in rural france

Art, nomad life, Sketchbooks

January 2024

By now you probably know how much I like to wander about, my head full of silly songs and musings and my backpack filled with pencils, watercolours and a sketchbook.

Luckily I am house and cat sitting this couple of weeks in the beautiful Languedoc, France, staying in a tiny medieval village and enjoying some warmer weather than back in the UK. Here it is dry and around 20 degrees but as you can tell by the video it’s been pretty windy.

Today I wandered and wondered and shot a little film to show you where I walked and the gorgeous studio (of cousin John Baldwin) I come back to for working on a little bit of gouache painting. I went about 6 miles in all and then ventured out again to stand and draw in the little square.

The video gets clearer after the first few seconds – come on my walk with me

I have peace and quiet and sole use of the house – just me and my mind. It’s always interesting what that gets up to when alone and keeping off social media mostly. I enjoy observing its monkey tricks !!

At the end of the day I went along to one of the village squares and stood to draw where I encountered an elderly man who enjoyed telling me about his paintings and a young woman called Nancy who has illustrated children’s books. So friendly – and they didn’t even laugh at my French!

France is very wabi-sabi, there’s always beauty in the nooks and crannies of back streets. Here’s my favourite example from a door today – god only knows what kind of technology this is!!

I painted this little scene from the bench by the bridge – the medieval buildings are suitably wonky enough to be painted in a gale! Afterwards the cat came to give me her autograph…

Next time I come I will bring my harmonium – it needs a little work doing to it’s coupler mechanism… a useful industry in a teeny village…

Back in the studio in the middle of the day I played with gouache – needed to use the pink to capture the chill of yesterday…

Anyway I may work into this a bit tomorrow when it’s light.

This was the original drawing I did on my knee in the hills – so far I prefer it to the painting but then that’s not complete and I’m sure I will warm up!

My greatest pleasure though is my lovely new sketchbook – a Pith – lovely smooth and strong paper and good for watercolour and other wet stuff at 200g paper. I have suddenly become a big fan of smoooooooth paper!

I will try to post some more here over the next couple of days – thank you for dropping by!!