It’s action stations!
This week has been a full on one but it’s exciting. Two other artists in the studios have teamed up with me and we are going forward as a collective called ‘The Working Painters’. It’s a great boost to have a collaboration, and whereas I have generally worked a solitary bod I have really seen the power of working together this last few weeks. In the past we have loosely critted (is this a nice new word?) our work and thoughts together and now it’s time for a show of this year’s outputs.

Why now?
You know what? …. it’s hard to get gallery representation, or even work shown in the city art gallery where we work, and it’s sooooo easy to moan about that. So we decided to up the energy and organise a pop-up, renting the community hub which is a massive white ex-shop in the Mander Centre our city shopping mall here in Wolverhampton, England. The town is really down on its uppers, struggling to stay alive and the only thing we can do is to contribute to it with colour and hopefully inspiration for others to do the same. We want to buck the system!
Can we inspire?
We hope so – we want to show a way to beautifully curate on a limited budget to encourage others – individuals or groups – to have a go at doing the same. We are not having a catered Private View – but we are having one (!), and we are hanging in a way that others could replicate easily …. you’ll have to come to find out how.

‘Om Kara’ – Clare Wassermann – acrylic on paper – 73 x 73cm
About the title ‘Sprezzatura’
The exhibition title Sprezzatura typically means an appearance or style which assumes to be effortless but hides the endeavour involved in its creation. Many of the paintings exhibited here have been re-worked, painted back, painted over, scrubbed, rubbed, tonked, scratched, smudged, printed on, wrestled with and agonised over, and in fact the paintings often leave traces of these tussles. Some of the paintings came into being with less of a creative struggle as if not made by the artists at all. Nonetheless, the work of painting is always work, a matter of turning up and loading a brush.
The artists
In a series of new work, Rachel Magdeburg has painted objects that have a personal resonance, and obliquely reference the practice, material techniques and processes of painting. Some of the pictorial imagery reveals a semantic playfulness, which is reinforced by the painting’s titles. Other paintings explore formal relationships within a work itself, and in relation to the motifs of other paintings. Rachel has just completed a doctorate in Fine Art and she is glad to be back to painting!

‘UnPalatable’ – Rachel Magdeburg – oil on board – 61 x 51cm.
Julia Burns’s recent large scale paintings employ a continuous dialogue, both intuitive and directed, with the very messy process of painting, along with a playful reference to a “mixtape” of Modernist and contemporary abstract painting, to create works that allude to the Urban landscape as an experience and an idea.

Julia Burns’s studio.
Clare Wassermann has been working with the symbolism of birds in her paintings as part of an ongoing investigation into the concept of liberation and alchemical transformation towards internal freedom as part of her PhD work.

‘River Swimming, Dolanog,’ Clare Wassermann – acrylic on paper, 120 x 79cm.
I you would like to purchase one of Clare’s pieces but can’t get to the exhibition
There is an online catalogue here. Please get in touch to reserve your work – the beauty is there are no gallery fees so the work is affordable (subjective term I know!).
The work can be purchased online and posted at cost. Framing advice is available of course.
Please get in touch if you would like to purchase work by Julia or Rachel. Better still, come and meet us and see it in person. A catalogue will also be available online soon.
You can make quite a night of it!
You can go straight on to this if you come at the end of FridayEvery last Friday of the month, the doors of Wolverhampton Art Gallery will be opening after hours to welcome you in.
Each event will be inspired by current exhibitions. Expect live performances, music, workshops and curators talks throughout the gallery spaces.
Plus, the Glaze Café will be opening late to ensure you don’t go hungry or thirsty as you see your way into the night. Lates are adults-only, after-hours theme nights.
This Friday Lates is a double feature! Friday 27th & Saturday 28th October 6-9pm.
Friday 27th: there will be screening a documentary about the life and work of Derek Boshier.
Join British-Jamaican Artist and Educator, Exodus Crooks for an ink and collage workshop inspired by Derek Boshier’s Smile (1968). Throughout the workshop, participants will be invited to recreate an image they have on their phone, using found images, magazines and newspaper cut outs.
Info and booking here
How can we help you as an artist?
We are happy to work to mentor artists who would like to buck the system and put on their own show. We can offer advice and encouragement. Do get in touch with me if you think you would benefit from this service in the future.
And please do subscribe to my newsletter on Substack – I will be adding to it most weeks and I’d love your comments if you like!
























































